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Nearly 60% of Consumers Surveyed Watch Online Video
According to The Kelsey Group Increased consumer response to online video is driving the development of cost-effective options for local and small-business advertisers. Princeton, NJ (May 24, 2007) -- In the latest wave of The Kelsey Group’s User View study, 59 percent of those surveyed claimed to watch online video, and more than half said they engage in some sort of response activity, such as visiting a Web site, going to a physical location or making a purchase. The study’s findings are highlighted in a new report by The Kelsey Group titled, “Online Video: A New Local Advertising Paradigm,” which credits the popularity of YouTube with bringing online video watching to mainstream audiences.   Click for details...


:: ALERT :: Your Business Needs To Use Online Video Traditional Brick-n-Mortar Business MUST Pay Attention To This Video... ...ONLY if they wish to dominate their competition and prosper in their marketplace! Here is actual proof and LIVE CASE-STUDIES that demonstrates how online video marketing is CHANGING the way businesses capitalize from their marketing efforts! Even if your customer base is local, tied to a retail location or service area, Video will MOST DEFINITELY impact your profits. Make those phones ring, and make that door swing open all day long! Watch to see how web video can give you almost all the benefit of local TV advertising with almost none of the negatives. You'll learn how you can give your business a boost with low cost, high impact videos that you can produce and publish YOURSELF!    Enjoy!   P.S. Feel free to login as a member & leave your comments below and give it a rating above!   Click for details...


LinkedIn Gets New Web2.0 Makeover
The professional networking site LinkedIn on Monday announced a sweeping redesign of its Web site and a new developer platform that allows partners to build companion applications on their sites. In reaching out to external sites, LinkedIn is hoping to expand the reach of its members' professional networks, and, in the process, further entrench its position as the top online community destination for working professionals. LinkedIn is one of the fastest-growing social networks today, boasting a 189 percent jump in membership this October compared last October, and attracting about 1.1 million new members a month.   Click for details...


Online Ad Spend by Industry - January 2008 Online Ad Spend by Industry - January 2008 Note: Nielsen Online’s AdRelevance service uses a proprietary methodology for estimating online advertising expenditures and takes into account only image-based technologies and advertising sold per CPM. Above data does not reflect house advertising activity, strategic partnerships between publishers and advertisers, or text units, paid search, sponsorships, email, units contained within applications (e.g., messengers and pre-rolls) or performance-based advertising.   Click for details...


YouTube Leads US Online Video Market with 28% Market Share
Nearly 75% of US internet users watched a video online (streaming or progressive downloads) in September, averaging three hours of video per person during the month, according to comScore’s Video Metrix. Google Sites, including YouTube, topped the rankings in both number of video viewers and videos viewed. Americans viewed more than 9 billion videos online in Sept., with Google Sites accounting for 2.6 billion videos viewed (28.3% share of videos), 2.5 billion of them at YouTube.com (27.6%):   Click for details...


Clinton Outspent By Obama Online
HILLARY CLINTON'S CAMPAIGN CAME UNDER fire for spending extravagantly after disclosing it had dished out $25,000 for luxury rooms at the Bellagio in Las Vegas and $100,000 on party platters in Iowa, among other expenses last month. But in spending on online social media and advertising, Clinton was easily outstripped by Democratic rival Barack Obama. Not a big surprise, given that Obama has run the most effective online campaign among the 2008 presidential candidates. Of the $32 million he raised in January, for example, $28 million came from online donors.   Click for details...


Broadcasting Bits: News Broadcasts Are Changing
NEWS.BROADCAST NEWS. THREE SIMPLE WORDS. And yet, just what do they mean? What's "news" today? And what are the vehicles by which we consume our news? Newspapers? Broadcast television? The Internet? The manner in which people watch news is clearly undergoing transformation. Broadcast television news viewers certainly have alternatives -- and Internet-based news programming may also provide more immediate access to news instead of waiting for that news to be prioritized (if appear at all) over "normal" broadcasting airwaves. Several technologies are combining to change the news gathering and viewing experience. Internet and mobile transmission protocols are enabling people to consume news content on a variety of devices. 3+ megapixel still and full-motion-video-capture cell phones are enabling anyone to acquire and transmit images. Web portals that foster and promote users to generate stories have provided the opportunity and outlet for anyone to be a provider of newsworthy content. Various terms are now applied to individuals who are not professional broadcast journalists or videographers. Whether the term is "citizen journalist," iReporter, or the worldwide community represented by Current TV, more people are acquiring images, more are editing stories, and more are making content for the world to consume. Some are struggling at this and others are thriving.     Click for details...


Graphic Charts & Stats Supporting Streaming Video Below are various charts, graphs, and statistics that will help you get a solid understanding of how the U.S. marketplace is adopting Online Video.   U.S. Streaming Video Market Overview    Demographic Profile of U.S. Internet Users Who've Streamed Online Video   75% of Internet Users Viewed Online Video - nearly 2.5 hours per viewer   Key U.S. TV and Internet Metrics       Click for details...


HBO Inks YouTube Deal
HBO HAS INKED A DEAL with YouTube to create a channel on the video-sharing site, reports E! The site will air highlights from some of the premium cable net's popular shows, such as "Entourage," "The Wire" and "Extras." It will also include full-length episodes of "In Treatment." No terms were disclosed, but HBO said it gives viewers a legal way to see clips online. Source: Media Daily News     Click for details...


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More Data in Support of Streaming Video
Google and AOL teamed up to commission a survey from TNS Media Intelligence, that shows favorable user and advertiser metrics for online video.   This is important to understand because it demonstrates the adoption and expectation of online video for people who are looking for more information about an advertiser's products and services. The trend is steadily moving more and more in favor of online video to help a business separate and differentiate themselves from their competitors in their marketplace. A few high-level data points are:   75% of users watch more online video than they did one year ago, and 52% expect to watch more over the next year. 78% feel online video ads offer as much or more capability than television to learn about an advertiser. 63% say they prefer video advertising in order to keep content free. The survey also measured response rates from online video, coming up with numbers similar to those in TKG's User View (results in past post).  Specifically 64% of the TNS study respondents claimed taking action after viewing online video. 44% went to a Web site, 33% to a search engine, 22% to a physical store, and 21% discussed with friends). This supports something we've said many times... online video combines the traditional strengths of video advertising (entertaining, informative, ability to elicit emotional response), with the direct response capabilities of the internet.   Copyright - The Kelsey group. All Rights Reserved.   Click for details...


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Class Act: The Future of Educational Video? PDF Print E-mail
Written by Paul Riismandel   
Wednesday, 20 February 2008
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What's In Store...?
It's time digital media becomes an adjunct to writing for college students and instructors, and schools, colleges, and universities should provide basic audio and video production skills.
 
You’re watching an online video. The scene is dimly lit. There’s just a single harsh light on our subject’s face in extreme close-up. The sound, while understandable, is full of popped Ps and distorted peaks.

Is this a sequel to the Blair Witch Project, or a video podcast for Political Science 101? Or is this the future of educational video?

The do-it-yourself approach to video has taken the internet by storm, and more instructors and students are taking up the call to use digital media to enhance learning.
As both a media producer and educator I think this is a great trend. Yet, like a weary English teacher at a slam poetry competition, I can’t help but think that the quality could be a lot better with some attention to the basics.

Podcasting is about three years old, and it’s still a hot item in the academy. Go to any educational technology conference and you’ll be hard pressed to avoid a session that doesn’t tout podcasting as the best thing since the slide rule.

About eighteen months ago I went to one of these conferences and sat through the most excruciating sixty minutes of my professional life. I endured some of the most boring, repetitive, and poorly produced audio and video being held up as exemplars of educational media. Even more excruciating was listening to misguided faculty, with bounding enthusiasm and pride, tell us how their podcasts were helping them get through to their students, who were otherwise glued to their iPods.

I wanted to crawl out of my skin.

It’s a conundrum, really. I think the democratization of media-making tools is a powerful force for education. And yet I know that quality is a real value. Focused, well-exposed video is easier to watch, and clear, undistorted audio is much easier to understand. Where is this question of quality in the “user-generated media” revolution?

Lest you think I’m just an old media curmudgeon, I’ll relate an experience from another conference. I was participating in a breakout group on educational video. We were discussing the topic of students making videos for class assignments.

I ended up debating an experienced photojournalism professor who strongly argued that students shouldn’t be producing videos for class. Quality was the crux of his argument: It takes at least three semesters to learn the basics of good production skills. He asked, are we going to require all students to take three semesters of video production so they pass Biology?

As a media professional I took his argument seriously. But the teacher in me reflected on the college-level classes I’ve taught that required writing assignments. In a thirty-student class, I expected ten students to be excellent writers. Fifteen would be competent and readable. And 5 or so would be disorganized or barely comprehensible.

Yet, all these students were high school graduates enrolled at a top-tier university. Writing is the very currency of higher education. But by graduation a large minority of students still aren’t very good at it.

That realization led me to argue that holding average students to broadcast quality standards is as absurd as expecting them to write like Maya Angelou or Stephen King. I expect a broadcast journalism student to crank out video worthy of local TV news, just as I would expect a creative writing student to write well enough for a literary magazine. But it’s absurd to expect either of them to change places.

So, what to do?

A student has to write well enough that the teacher can easily grasp the student’s point without having to work too hard. Any good teacher is expected to speak well, give coherent assignments, and use an organized lesson plan or syllabus. The same standard should apply for educational audio and video.

Quality does matter. A student should never have to strain to understand her teacher’s podcast, and a professor should never have to squint to see what’s in a student’s video. Quality means that the audio or video never detracts from the actual content it contains. Unless the ability to produce video is the point of the assignment, the medium otherwise should be transparent, letting the ideas shine through.

I don’t think it’s that hard to learn how to record clear audio or take decent video. It does require knowing a few principles and skills that aren’t obvious or widely taught.

It is time for the academy to take audio and video seriously. Students, teachers, and professors should have the opportunity to learn basic production skills just like they learn other academic skills. They don’t have to become Hollywood producers, just capable of producing audio or video that communicates clearly. Schools, colleges, and universities should support this and provide that training.

No matter how much traditionalists might despise YouTube and iTunes, online media isn’t going away and will not leave the academy. If anything, digital media needs to become an adjunct to writing; neither an alternative nor a replacement.

Educators are eager to make the most of new media as education moves online. They need assistance from those of us who have made video our specialty. Our task is to help and instruct, and theirs is to see the value in what we’re offering. The shared responsibility is figuring out how to bring us together.
 
Source: Streaming Media Magazine (Streamingmedia.com)



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